Klara and the Sun | Kazuo Ishiguro #ReadtheNobels

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On the 2nd March 2021, Faber & Faber in the UK, Alfred A. Knopf in the US, Knopf in Canada and Allen & Unwin in Australia will publish Kazuo Ishiguro’s latest novel, Klara and the Sun.

This is the story of Klara, an Artificial Friend with outstanding observational qualities, who, from her place in the store, watches carefully the behaviour of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change for ever, Klara is warned not to invest too much in the promises of humans.

From this, we can assume that Klara and the Sun will be one of Ishiguro’s science fiction stories. I usually prefer when he heads off into historical fiction territory – think Remains of the Day and The Buried Giant, two of my favourites to date. I’m not always a fan of his sci-fi books – think Never Let Me Go. Whichever genre he writes in though, a tender regard and thoughtful dissection of his characters interior lives is guaranteed. Which is why I will always get excited about a new Ishiguro!

In 2017, the Nobel committee described Ishiguro’s books as ‘novels of great emotional force’ that have ‘uncovered the abyss beneath our illusory sense of connection with the world’. That abyss is never more apparent than with Klara, as she tries to make sense of the human world around her.

In recent times, I have read a couple of AI stories. British writers in particular seem to be fascinated by this genre – think Frankissstein by Jeanette Winterson and Machines Like Us by Ian McEwan. Using an AI as your protagonist, has a similar literary effect as using a child narrator. It allows us to observe the world within the book, as well as the relationships and behaviours of the other characters, through innocent, or unknowing eyes.

Klara may be a little different, to other AI’s in this regard, as she has extra special abilities to observe and perceive the world around her. In Ishiguro’s world, not all AI’s are exactly the same. Despite similar programming, differences can occur, that cannot be accounted for by the creators. She is obviously a little more intelligent and a little more perceptive than most and she is able to make inferences and connections from these observations.

One of these is about the sun. AI’s require sunlight to generate the power to run their bodies. They need a certain amount of direct sunlight each day to maintain optimum health. Klara assumes that because the sun ‘heals’ her, that it can also heal others – think humans.

Klara’s obsession with the power and healing abilities of the sun brought to mind books I read in my early twenties. Historical fiction chunksters by the likes of Leon Uris and James A. Michener that delved into historical periods in great depth. Michener’s The Source explored the history of religion, Judaism in particular. In the early sections of the story, the Stone Age group suddenly starts to fear that the sun will not come up again the next day. To ensure that it does, one of them decides to make an offering. It works. The sun rises again the next day. So they continue to make more elaborate offerings and invest more complex stories and rituals around these ceremonies.

Klara’s belief that the sun could cure Josie and that she had the ability to make a bargain with the sun, by sacrificing something of herself, called to mind these older religious superstitions. Ishiguro seems to be suggesting that AI’s are just as capable of being superstitious and in need of a belief in a higher power to make sense of their world, as humans.

Ishiguro leaves a lot unsaid or unexplained. What does it means to be ‘lifted’ for instance. Josie and her sister, were lifted but her best friend, Rick was not. The sister died (pre-story) and Josie is regularly very ill. Being lifted is obviously a serious and dangerous business. But what are the benefits? Who knows. They are taken as a given necessity in this world, but other than getting you into a certain university that gives you a certain status, I was unsure what long-term benefits might accrue from this. We are left in the dark. On the outside looking in, just like Klara.

Lonely and/or reticent characters on the outside of ‘normal’ seem to come naturally to Ishiguro. It’s also fair to say that he has many questions about what is a soul, what makes us human, how do we connect and care for one another and what does our collective future look like. He doesn’t (yet) have the answers, or expect us to either. His stories are more like provocations; perhaps that’s why they get under one’s skin so deeply. There is always more going on under the surface, than you first imagine, in Ishiguroland.

I still prefer, Ishiguro’s historical fiction, but Klara’s story is full of his trademark bittersweet and tender story telling. If you loved Never Let Me Go, then I think you will also love this. And, if like me, you are one of the few people who didn’t get into Never Let Me Go, then, I think, you will still find plenty in Klara’s story to intrigue you, like I did.

First Line:

When we were new, Rosa and I were mid-store, on the magazines side, and could see through more than half of the window.”

Favourite Quote:

There was something very special, but it wasn’t inside Josie. It was inside those who loved her.”


  • Kazuo’s daughter Naomi is a writer too and she has her first novel, Common Ground, due to be published on the 30th March with Hachette Australia. She has previously published a short story collection called, Escape Routes (2020).

12 thoughts on “Klara and the Sun | Kazuo Ishiguro #ReadtheNobels

  1. I haven’t read the book, but I heard Ishiguro talking about it on Radio National yesterday. Being ‘lifted’ in the future of his book means that individuals that have the money to do it, can be genetically tweaked so that they are better versions of their ordinary genetic heritage. He talked about how this created benefits, e.g. the cleverer ones got into university and had a privileged life thereafter because of that, and so in part the book investigates power and privilege.
    But things can also go wrong, and getting it wrong can make people very sick.
    That’s all I heard, I’d arrived at my destination, but you might be able to find it at RN if they made a podcast of it.

    Liked by 1 person

  2. I think I’ll like this as I loved Never Let Me Go where he handled the sci-fi elements well. I did wonder if Naomi Ishiguro was related – that could be both a blessing and a curse for her!

    Liked by 1 person

    1. Sometimes Ishiguro can be too subtle for his own good. Remains of the Day has those tendencies, but if your in the mood for the tender, bittersweet quality then he works like a charm. For me the sci-fi characters are a remove too far from human emotions & I struggle to connect. Never Let Me Go is about cloning and obviously, this one is about AI. Pick your poison 🙂


    1. That mesmerising writing is what he does best. It’s what gets me through the stories I connect with less than the others. I have a friend who tells me The Unconsoled is his favourite, so I must try that one day soon.

      Liked by 1 person

  3. I must admit to having never read Never Let Me Go, but I am well acquainted with Remains of the Day, The Buried Giant, and my personal favorite, The Unconsoled. I was greatly looking forward to Klara, for this reason you wrote to beautifully in your post: “… a tender regard and thoughtful dissection of his characters interior lives is guaranteed.” Sadly, Klara and The Sun left me disappointed. I didn’t expect Ishiguro to give me all the answers, per se, but I did hope for more than what I walked away with. I would have liked more of his perspective on the technology of today, and how robots are seen by some as being able to replace people. I find the two quite distinguishable, but perhaps that IS his perspective: Klara and Josie are very closely aligned. In fact, it almost seemed that of the two, Klara was more caring (in searching for Josie’s healing from the sun, for example). Now that I think about it more deeply, I also felt he was making some sort of comment on faith, which today seems to come from anywhere but belief in God. Let’s pray to the Sun, shall we? Bizarre…

    Thank you so much for reading this and discussing it with me. I always value your insights, Brona, quite a lot. xo


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