Last week I indulged in a little walk down the red carpet with Jane Austen called Austen on Screen.
I quickly realised it was going to take more than one post to adequately explore my love affair with Austen on the screen. The Pride and Prejudice adaptations were so numerous and I found I had so much to say, that I feared I would have to do the same for all of Austen’s books! But when I sat down to think about which movies I had actually seen, I realised that I had only seen one or two versions of the other books. So today is all about Austen on Screen minus P&P.
After my first reading of Austen’s books in my teens, Emma and Mansfield Park were my least favourite books. Emma was too annoying and Fanny was too nondescript. The romance wasn’t as heartwarming as it was in Pride and Prejudice either, and during my teen years, it was all about the romance!
However my view of Emma changed completely when I saw the 1996 movie starring Gwyneth Paltrow and Jeremy Northam for the first time. (Note the strategic use of the word ‘first’ – I have now watched this movie more times than I can remember!)
Douglas McGrath’s lively, endearing take on this rather annoying, manipulative young lady hooked me in, along with his other brilliant casting choices.
When I first read Emma at 17, I dismissed Mr Knightly as being ‘too old’ and therefore not worthy of my romantic considerations. Jeremy Northam’s charming, thoughtful, generous portrayal of Knightly changed all that. A reread of Emma not long after my first viewing of this movie, revealed that I had been fooled by Emma’s own descriptions and beliefs as she professed them, early on in the book. During a more observant reread Emma’s flaws and misconceptions are easier to discern. But don’t get me started on the joys and merits of rereading Jane Austen!
Toni Collette played the ingenue Harriet Smith a little self-consciously, but since Harriet is meant to be self-conscious and lacking in self-confidence it worked. Sophie Thompson’s Miss Bates was truly inspired. She captured her silly, dithering nature but also the kindness and heart behind this lonely woman. Ewan McGregor’s Frank Churchill was played beautifully too. The scene where he and Emma are singing a duet is hilarious every single time, just like the scene where Emma is nasty to Miss Bates hurts every single time. Mr Knightley’s “badly done, Emma, badly done!” almost reduces me to tears as my own ‘badly done’ moments come flooding back to haunt me.
And that is exactly why Jane Austen is still so relevant today. Her characters may be wearing old time clothes and speak in an old fashioned manner to our modern sensibilities, but her characters behave and act in very familiar ways. Her characters have that unmistakable ring of authenticity as we recognise ourselves and those we know between the pages.
I have yet to see the Kate Beckinsale TV version of Emma from the same year, the 1972 or 2009 BBC series either – it’s nice to have something to look forward to.
Modern adaptations can be ghastly experiences for those of us who truly adore a book, but sometimes everything conspires for the good. Clueless was one of those times when they got it very right.
Alicia Silverstone’s modern day Emma (Cher) makes it obvious what JA was trying to say about youth and privilege and our ability to bend and twist reality to suit our own purposes. The movie highlights Emma/Cher’s innocence and her ego. Cher teeters from lovable to loathsome and back to lovable again, and in Clueless we see Emma for the coming of age story that it actually is.
I avoided all Mansfield Park screen versions until this year. Only a few short years ago MP was still my least favourite Austen and the thought of watching sappy Fanny on screen for 2 hours was more than I could bare! But the reread changed everything. I suddenly saw (if you can call the 20 years of life and reading experience that led to this change, sudden) the incredible structure and beauty of Austen’s craftsmanship. I had completely failed to see or appreciate the technical brilliance of MP the first time and I had completely failed to see or appreciate Fanny for who she really was.
Sadly Frances O’Connor also failed to appreciate Fanny for who she really was back in 1999 when this movie was made.
At the start, the director clearly states that the movie is only ‘based on the novel of the same name’. He went on to include a lot more about slavery and plantation life than JA ever would (even though she had very strong opinions about them in real life – but that’s another post). All of which is fine, but Fanny is shy and reserved and timid. She is self-conscious and fearful and lacks a sense of belonging. O’Connor plays Fanny with far more energy, confidence and sass than Fanny could ever dream of – perhaps more appealing to a modern audience, but completely changing the story arc for Fanny. Instead of being a journey towards belonging and morality and learning to stand up for herself, we have this particular Fanny doing the same things at the end as she did at the beginning. There can be no story arc for this Fanny who has way too much pluck to belong here!
There is also an earlier BBC TV series of Mansfield Park to watch out for, but everything I’ve read suggests that MP is still due for a good screen interpretation.
The 1986 Northanger Abbey movie is the only on-screen version I’ve seen. It has attracted a lot of haters over the years, but I loved it. It captured the silly, romantic, gothic fluff that I believe Austen was aiming for. A lot about this novel is written tongue-in-cheek and this particular screen version embraces the parody with gusto!
Eerie music oozes over every scene, fog and mist cast shadows and mystery everywhere and all the characters a stereotypes, beautifully drawn, from the doe-eyed ingenue, the sexually aware BFF, the hoon brother and the amused romantic hero. It’s delicious. Yes, it misses out lots of the details from the book, but all movies have to make that concession. The ones that work for me are the ones that stay true to the characters.
One day I will check out the 2007 version, but it doesn’t look as lush and atmospheric as the 1986 one.
Bath and Lyme feature strongly in this movie too with all the rain, grey skies and chill winds that one would expect. This is one of JA’s most socially conscious novels and the movie goes to great lengths to show this off. Beautiful estates, country homes, naval quarters, inns, sumptuous town apartments and run-down rooms in the poor part of town.
Ciaran Hands played the rugged Captain Wentworth with proper naval aplomb and the scene where our two lovers finally kiss has the added bonus of a noisy, colourful circus passing by with clowns backflipping and jumping for joy in the background.
I’ve never bothered to check out the 2007 version, as this one continues to satisfy me every time.
The same goes for Sense and Sensibility. Ang Lee’s 1995 movie is such a satisfying version of the story that I’ve never felt the need to look elsewhere.
Yes, most of the actors are way too old for their parts, but one can forget and forgive this for their faithful interpretation of their characters. I’ve gone into my feelings about this movie in much greater length before, so I wont go over old ground, except to say that I love the resolution scene between Elinor and Edward so very much. The emotional release gets me every time – her sudden tears of joy feel far more powerful than the non-stop crying the Marianne engages in throughout the whole novel.
Adaptations and bio-pics are a curious thing. I had such high hopes for Becoming Jane, but was so disappointed to see that apparently all of Jane’s good ideas and lines came from a man!! I won’t be watching this one again.
Lost in Austen (2008) was far more successful. I love a parallel universe/time travel story at the best of times – imagine going through a door to suddenly find yourself in the Bennett family home! It showed Elizabeth to be the curious, adventurer we know her to be when she jumps at the chance to spend time in 21st century Hammersmith, while the modern day Amanda, stays at Longbourne, trying to keep the story on track, despite the changed circumstances.
It was fun with lots of interesting commentary about modern life versus Regency life. I’d happily watch this again one day. So woulod Mr Books.
One I have still to see and would really like to, is the recent movie version of Love and Friendship (2016). It’s based on the epistolary story Lady Susan, starring Kate Beckinsale, told from the nephews point of view (apparently). Director Whit Stillman went on to write a novelisation of his version of the story that includes the letters as an appendix,
Austenland (2013) with its promise of a Jane Austen theme-park and Miss Austen Regrets (2007) are also on the radar…for one day.
Do you have a favourite JA book or movie or TV series?
12 thoughts on “Austen on Screen Take 2”
I read Emma in college and hated the character SO MUCH! Perhaps it is time to watch the movie and consider a re-read. Thanks for the great post outlining the movies. I agree about the Ang Lee S&S, it is wonderful every time.
Emma has that affect on lots of people I think…first time around. She gets better with time 🙂
Saw L & F a couple of years ago. Good, if you ignore the fact it's actually Lady Susan
I'm thinking that the predominance of old actors obscures just how young and immature JA's heroines actually are.
Ohh I didn't know that! I wonder why they (producers, director, screenwriter?) would do that? Thanks for the heads up.
I had thought of that too Bill, but also wondered about how much quicker people were expected to 'grow up' back then. Childhood was only just beginning to be recognised and valued as a special/important phase, whereas the idea of being a teenager (as we know it today) didn't exist at all. Girls 'came out' around 15 and were often married not long after. Boys could be sent off to join the navy at 12-14 and expected to fit into the adult world. Lydia was only 15 when she ran off with Wickham – a rebellious teenager perhaps, but with very adult consequences. Having 25-30 yr old actors playing the JA heroes & heroines could reflect that this is the age we tend to 'do' these adult things now?
Great trip down memory lane — I agree with everything except the most recent S&S is now my preferred version over the Ang Lee one. I can heartily recommend it.
I love that 1995 Persuasion also, it is the definitive version. Most of the recent JA adaptations are not that great, except for the 2009 Emma with Romola Garai. My only quibble is that Jonny Lee Miller is too close in age to Romola. The costumes are especially lovely. I really disliked the newest Mansfield Park, Billie Piper is woefully miscast. And the newer Persuasion is not great also — that scene with her running past the Crescent is SO WRONG. The Northanger Abbey of that series of remakes is the best of the bunch. Of the newer interpretations I adore Clueless, and I was surprised by how much I enjoyed P&P&Zombies. If you don't take it too seriously it's quite fun. Lady Catherine is a badass and Matt Smith is HILARIOUS as Mr. Collins. I love Lost in Austen because it pokes fun at JA fans, but in a loving way. Austenland is also kind of cute, plus, Jennifer Coolidge!
Good point about how quickly people became adults 200 years ago. However I will never get over the idea of 21 year old Emma marrying late 30s Knightley who held her when she was a baby! I get that it wasn't unusual but still, ick.
The 15 yr age gap seemed really inappropriate to me when I was a teenager reading this for the first time, but strikes me less so with each reread for some reason.
I'm tempted now with that recommendation – thanks 🙂
Definitely want to try the zombie movie soon; I think Mr Books would enjoy it too, plus, Matt Smith!