I like to think that I have taken my ‘what to read whilst travelling’ choices to an inspired level of brilliance, but I really outdid myself with our recent trip to Japan. Reading Murakami in Japan now feels like the ONLY place to read Murakami!
Not only does the usual Murakami weirdness make sense when you’re actually in Japan, but you also realise just how important the environment is to Murakami and his characters. His descriptions of the trees, forests, waterways and urban spaces are everywhere as you move around the country. As are the crows.
In this case, the boy named crow is a mentor to our young protagonist, Kafka Tamura, perhaps an alter ego, a Japanese Jiminy Cricket. Whatever crow is or isn’t, right from word one, Murakami is flagging that symbolism, mythology and psychology will be our prime concerns in Kafka on the Shore.
In Japanese mythology, crows are seen as a sign of ‘divine intervention in human affairs’ (wikipedia). Western mythology tends to associate the crow with bad news or as a harbinger of death. They’re selfish, spread gossip and neglect their young. And they’re everywhere in Japan. They sit on telegraph wires, fence posts and roof tops. You often wake up to their cawing, even in the city.
Cats are the other creatures that dominant not only Murakami stories, but many Japanese stories, yet curiously I didn’t see one single cat in three weeks, let alone a talking cat! The opposite of the crow, cats are creatures of good luck, although still often associated with death and hauntings.
There is no denying that Murakami is on very intimate terms with kooky.
If the talking cats weren’t enough, a cameo appearance by Johnny Walker and Colonel Sanders of KFC fame might tip you over the edge. A reference to the (fictional) Picnic at Hanging Rock as an example of another group loss of consciousness event caught my eye. Did Murakami know that it was an urban myth? Is that what he was implying about his own story? The sense of mystery and other-worldliness was certainly a shared atmosphere between the two stories.
I was also amazed by truck drivers who suddenly became classic music afficiandos, quiet librarians who turned out to be sex fiends and sex workers who quoted philosophers. What’s not to love? The kookiness gets under my skin and into my head. Just like what happened to me with his previous books.
1Q84 is still roaming around in my head, Colourless Tsukuru less so, but it’s still a memorable book experience.
Murakami likes to do the whole books in books thing. Kafka’s backlist was an obvious start –The Castle, The Trial, Metamorphosis and In the Penal Colony in this case. But he also referenced The Arabian Nights, the complete works of Natsume Soseki, a book about the trial of Adolf Eichmann (I can only assume it was Hannah Arendt’s Eichmann in Jerusalem), Electra by Sophocles, The Tale of the Genji and ‘The Chrysanthemum Pledge’ in Tales of Moonlight and Rain by Ueda Akinari.
So many tangents, so many connections, which one should I tackle next?
8 thoughts on “Kafka on the Shore by Haruki Murakami”
How interesting. Kafka on the Shore was only my second book by Haruki Murakami but I thoroughly enjoyed it without ever having been to Japan.My conclusion was: a weird book but quite enjoyable. So, I guess I'll have to travel to Japan in order to understand more.Thanks for the lovely review,Marianne
I'm sure I would have enjoyed this without being in Japan (like the 3 previous books I had read) but being in Japan gave it an extra special edge.Now I just have to work out which one to read next!
I really liked Windup Bird Chronicle (though really, I have liked everything M wrote except 1Q84 which infuriated me) and think it would be a good next choice after Kafka.
I love the way Murakami intersects with early William Gibson. I'll read a realist book about Japan one day and won't understand it at all. And yes, it brings novels alive to know or find the places in which it is set (One of the reasons I get angry when authors fudge their geography).
Yes, that is always the problem, Brona. Looking forward to seeing which one you choose.Happy Reading
1Q84 was my first Murakami & I loved it. It was long-winded & infuriating at time, but that's part of what I loved! I am curious by how much many Murakami lovers seem to hate it though.I'd love to be able to go back in time and start at the beginning.