I came away from it with a very strong desire to read all three author’s books, ASAP! (The other two authors being Caitlin Doughty and James Boyce).
Having just finished One Life, it seemed only natural to follow up with a story about the choices made by another strong, independent woman.
The Anchoress is set in the English Midlands in 1255. Sarah, our young protagonist, decides to become an anchoress – a virgin locked away by choice into a cell “that hugged the church” – for life. The only access to the outside world is via a squint that reveals nothing but the church altar and two windows – one so the anchoresses maid could attend to her needs and one ‘parlour’ window for women to visit asking for prayers and spiritual advice. The only other visitor allowed is the Father Confessor.
Cadwallader describes the anchoresses life as being one of “living death”. I was very curious to see how she could weave a whole novel out of this very confined and narrow world.
Sarah tells her own story for much of the book, but a few chapters are told from her Father Confessor, Ranaulf’s point of view. Both Ranaulf and Sarah are changed significantly by this confined relationship.
Cadwallader convincingly describes Sarah’s struggles to adjust to life in a cell even as she embraces with passion and fervour her new life devoted to prayer and faith. Sarah gradually reveals her backstory so that we can understand how she came to make the decision to become an anchoress.
I had had no idea about this medieval practice and found the story of The Anchoress compelling and repulsive at the same time. The harsh practices and teachings of the church at this time and the overt subjugation of women were distressing and infuriating to read about.
Watching Sarah grow into her role as anchoress is at the heart of this story. Cadwallader painfully captures the various emotional states that Sarah goes through to achieve peace of mind.